Categories
- View All
- Vanities
- Tea Tables
- Ceramics & Pottery by David Gilhooly
- Ceramics & Pottery by Makoto Yabe
- Ceramics & Pottery by Toshiko Takaezu
- Benches
- Sideboards
- Servers
- Miriam Carpenter Works
- Miriam Carpenter
- Mirrors
- Desks
- Sam Maloof Studio Furniture
- Sam Maloof
- Buffets
- Plant Stands and Jardinieres
- Desk Chairs
- Center Tables
- Night Tables
- Paul Hultberg Enamels
- Room Dividers
- Shelves
- Nesting Tables
- John Lutz Studio Furniture
- Harry Bertoia
- Ceramics & Pottery by Karima Duchamp
- Harry Bertoia Jewelry
- Harry Bertoia Sculpture
- Metalwork & Dinanderie
- John Eric Byers Studio Furniture
- Blanket and Sweater Chests
- Chests of Drawers
- Ceramics & Pottery
- Turned Wood by Ed Moulthrop
- Art & Sculpture
- Lounge Chairs
- Dining Tables
- Consoles
- Turned Wood
- Dining & Side Chairs
- Chairs & Stools
- Armchairs
- David Ebner Studio Furniture
- Rocking Chairs
- End Tables
- Coffee Tables
- Ceramics & Pottery by Paul Soldner
- Hanna Silver Fiber and Textiles
- Glass
- Ceramics & Pottery by Peter Voulkos
- Settees & Daybeds
- Sofas
- Chests
- Miscellaneous Objects
- Turned Wood by James Prestini
- Lamps
- Cabinets
- Bars
- Miscellaneous Rare Items
- Ceramics & Pottery by Estelle Halper
- Arthur Espenet Carpenter Studio Furniture
- Turned Wood by Bill Hunter
- Music and Book Stands
Back to Studio Craft Movement / Ceramics & Pottery
Ceramic Bowl by Akiko Hirai, 2014
3.5h x 11 diameter in
White vitreous slip with celadon glaze partly crackled on slip surface - to provide texture -- Akiko Hirai draws upon traditional Japanese methods when making her ceramics. Her work is a fusion of Japanese and British ceramic traditions. She uses the technique of allowing the clay to show how it wants to be fired. Her pieces are deeply textured and her forms are those of work ware – simple and satisfying. She uses coarse dark clay, creating a veil between the rough forms underneath and the smooth calm of the glazed exterior. Once fired, the chemical impurities of the underlying clay create subtle, often unpredictable, areas of colour and shade that can be glimpsed through the whiteness. She welcomes the sense of ambiguity this produces. Akiko studied at The University of Westminster and subsequently Central St Martins, she currently works as Head of Ceramics in Kensington and Chelsea College. Her studio forms part of The Chocolate Factory N16 in Stoke Newington.