Categories
- View All
- Ceramics & Pottery by Makoto Yabe
- Ceramics & Pottery by David Gilhooly
- Vanities
- Benches
- Ceramics & Pottery by Toshiko Takaezu
- Plant Stands and Jardinieres
- Buffets
- Tea Tables
- Sideboards
- Mirrors
- Miriam Carpenter Works
- Desks
- Sam Maloof
- Servers
- Sam Maloof Studio Furniture
- Ceramics & Pottery by Karima Duchamp
- Harry Bertoia
- Paul Hultberg Enamels
- Night Tables
- Shelves
- Room Dividers
- Fiber
- Sconces
- Desk Chairs
- Center Tables
- Harry Bertoia Sculpture
- Harry Bertoia Jewelry
- John Eric Byers Studio Furniture
- Metalwork & Dinanderie
- Nesting Tables
- John Lutz Studio Furniture
- Miriam Carpenter
- Blanket and Sweater Chests
- Art & Sculpture
- Ceramics & Pottery
- Turned Wood by Ed Moulthrop
- Lounge Chairs
- Consoles
- Ceramics & Pottery by Paul Soldner
- Dining Tables
- Turned Wood
- Dining & Side Chairs
- Chairs & Stools
- Armchairs
- David Ebner Studio Furniture
- Rocking Chairs
- End Tables
- Coffee Tables
- Hanna Silver Fiber and Textiles
- Bars
- Settees & Daybeds
- Glass
- Sofas
- Miscellaneous Objects
- Chests of Drawers
- Chests
- Ceramics & Pottery by Peter Voulkos
- Turned Wood by James Prestini
- Miscellaneous Rare Items
- Cabinets
- Ceramics & Pottery by Estelle Halper
- Turned Wood by Bill Hunter
- Lamps
- Arthur Espenet Carpenter Studio Furniture
- Music and Book Stands
Back to Studio Craft Movement / Settees & Daybeds
Sofa by Clarence Teed
75.5" wide x 29" deep x 30" high
American black walnut with loose cushions, signed, c. 1960 Based in Kansas City, Teed was a highly respected and award-winning "designer-craftsman," In 1966 he was elected president of the Missouri Craftsman Council and was a founding member of the Kansas City Woodworker's Guild. As he said of his approach, "I think woodworking can be an art form since one must think creatively as a painter must conceptualize what he wants to do through his brushstrokes. That's why I call myself a designer-craftsman... innovation of form in the form of communication of an emotion is difficult no matter what medium one chooses to work through. In a Kansas newspaper article about his career it was said that "Wood pieces by Teed often take the form of sculptured furniture...'
